When an opera company makes the decision to radically update a creation from the past and superimpose a stridently pointed contemporary political message, that company is entering risky territory.
John Dryden’s libretto for Henry Purcell’s “Dramatick Opera,” King Arthur, recounts the mythical monarch’s battle for control of ancient Britain and exalts the nation’s prowess as of 1691, but the ...
As part of their 2017 Summer Festival, American Bach Soloists presented two performances, August 10-11, of 17th century British composer Henry Purcell’s King Arthur at San Francisco Conservatory of ...
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