This year's bash honored bold expression in art, style and sound; as such, the dress code called for bold color, loud prints ...

Until that medicine kicks in, you’ve got yourself an animal on your hands,” someone in the audio recording said about the ...

In Marty Supreme, Josh Safdie maps the American Dream as a gauntlet of self-inflicted abasement, with Timothée Chalamet selling his soul point by point to stage the most punishing audition for greatne ...

Josh Safdie opens up about the challenges of making his table-tennis movie starring Timothée Chalamet, while Gus Van Sant dives into the real-world parallels of his film featuring Bill Skarsgard as a ...

Wilfried Nancy "couldn't have tried anymore," as Sir Rod Stewart might say. The "Maggie May" singer and Celtic soccer fan took to social media to celebrate the firing of former Crew coach Nancy from ...

In 1970, country music started off the decade strong. Loretta Lynn’s “Coal Miner’s Daughter”, Conway Twitty’s “Hello Darlin’”, Johnny Cash’s “Sunday Mornin’ Comin’ Down”, and Merle Haggard’s “The ...

Producer and musician Daniel Lopatin spent his early career traversing underground electronic and noise scenes as Oneohtrix Point Never. As the years went on, his career teetered on the mainstream, ...

Multi-instrumentalist, composer, songwriter, and improviser Macie Stewart has been an ever-evolving fixture in Chicago’s music scene for more than ten years, and she still seems to be at the beginning ...

Sam Rosenberg’s monthly column CineMusic highlights newly released film scores, soundtracks, and the composers/curators behind them. Despite being set in 1952 New York, Josh Safdie’s Marty Supreme isn ...

Daniel Lopatin, better known as the musician and film composer Oneohtrix Point Never, used to make music for advertisements. “The consulting firm that hired me was always like, ‘You’re the man, do ...

Josh Safdie’s “Marty Supreme,” now in theaters, is filled with ‘80s bangers, including Tears for Fears’ “Everybody Wants to Rule the World” and Peter Gabriel’s “I Have the Touch.” But Safdie’s latest ...