One of Martin Scorsese’s most underrated films, After Hours (1985) is a strange, offbeat descent into the surreal side of New York City. It follows a quiet office worker whose ordinary night slowly unravels into a chain of bizarre encounters, bad decisions, and nonstop chaos. Blending dark comedy, paranoia, and razor-sharp pacing, the film turns the city into a nightmare that feels funny, anxious, and endlessly alive. Unpredictable, energetic, and unlike anything else in Scorsese’s filmography,